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Sci-Fi Movies of the 1960's
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Lester Send message Joined: 6 Jun 07 Posts: 414 Credit: 38,111 RAC: 0 |
The incredible crawling eye " ? Or that giant snail in the salton sea where the navy send destroyers in to depth bomb it. Not sure how they got destroyers into that lake, but..... Its gotta be real ! It was in a movie |
Matthew Love Send message Joined: 26 Sep 99 Posts: 7763 Credit: 879,151 RAC: 0 |
LETS BEGIN IN 2010 |
Matthew Love Send message Joined: 26 Sep 99 Posts: 7763 Credit: 879,151 RAC: 0 |
This came out in the early 1970's LETS BEGIN IN 2010 |
Matthew Love Send message Joined: 26 Sep 99 Posts: 7763 Credit: 879,151 RAC: 0 |
LETS BEGIN IN 2010 |
Matthew Love Send message Joined: 26 Sep 99 Posts: 7763 Credit: 879,151 RAC: 0 |
LETS BEGIN IN 2010 |
Matthew Love Send message Joined: 26 Sep 99 Posts: 7763 Credit: 879,151 RAC: 0 |
LETS BEGIN IN 2010 |
Dune_Finkleberry Send message Joined: 25 Feb 06 Posts: 6454 Credit: 198,656 RAC: 0 |
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Matthew Love Send message Joined: 26 Sep 99 Posts: 7763 Credit: 879,151 RAC: 0 |
LETS BEGIN IN 2010 |
Matthew Love Send message Joined: 26 Sep 99 Posts: 7763 Credit: 879,151 RAC: 0 |
Description A mysterious magnetic spool found during a construction project is discovered to have originated from Venus. A rocket expedition to Venus is launched to discover the origin of the spool and the race that created it. This 1960 film was released in the US in 1962. Original German title: Der Schweigende Stern AKA: The Silent Star LETS BEGIN IN 2010 |
Matthew Love Send message Joined: 26 Sep 99 Posts: 7763 Credit: 879,151 RAC: 0 |
LETS BEGIN IN 2010 |
Matthew Love Send message Joined: 26 Sep 99 Posts: 7763 Credit: 879,151 RAC: 0 |
LETS BEGIN IN 2010 |
Hans Dorn Send message Joined: 3 Apr 99 Posts: 2262 Credit: 26,448,570 RAC: 0 |
Hi Matthew, the impawards stuff doesn't show up properly on my side. They don't like hotlinking as it seems.... Regards Hans |
Matthew Love Send message Joined: 26 Sep 99 Posts: 7763 Credit: 879,151 RAC: 0 |
LETS BEGIN IN 2010 |
Raven Send message Joined: 28 Aug 02 Posts: 373 Credit: 99,071 RAC: 0 |
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Matthew Love Send message Joined: 26 Sep 99 Posts: 7763 Credit: 879,151 RAC: 0 |
Have to said who is going to Direct the movie? LETS BEGIN IN 2010 |
Matthew Love Send message Joined: 26 Sep 99 Posts: 7763 Credit: 879,151 RAC: 0 |
LETS BEGIN IN 2010 |
Matthew Love Send message Joined: 26 Sep 99 Posts: 7763 Credit: 879,151 RAC: 0 |
LETS BEGIN IN 2010 |
Matthew Love Send message Joined: 26 Sep 99 Posts: 7763 Credit: 879,151 RAC: 0 |
LETS BEGIN IN 2010 |
Matthew Love Send message Joined: 26 Sep 99 Posts: 7763 Credit: 879,151 RAC: 0 |
1965 Crack in the World LETS BEGIN IN 2010 |
Matthew Love Send message Joined: 26 Sep 99 Posts: 7763 Credit: 879,151 RAC: 0 |
1965 Alphaville Godard’s Alphaville, shot on a very low budget in 1965 Paris, is the director’s take on Orwell’s 1984, capitalism, modernism and the eradication of free will through rationality and efficiency. The city, beautifully shot by Raoul Coultard, is turned into a cold, modernist island where buildings of glass and concrete stand as an effigy to science and dehumanization. Most of the scenes are shot in modernist interiors and exteriors, which could have been designed by Le Corbusier himself. But Godard’s vision turns the modernist dream upside down and associates the architecture with the end of free will and the disappearance of non-conformity. Unlike Lang’s vision of an ultra-modernist city of the future, with its skyscrapers reaching for the sky, Godard’s Alphaville is more spread out and few very tall buildings emerge. The elite continues to live in different areas of the city from the ‘little’ people, but the boundaries are less clearly defined and the sense of height as an association of power seems to dominate less than in Metropolis or even Things to Come. A man of his time, Godard seems to have been able to anticipate post-modernist concerns towards architecture and the city. LETS BEGIN IN 2010 |
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